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Delicate Steve @ 285 Kent

Going to see Delicate Steve last night might be one of the best spur-of-the-moment decisions I have made in regards to live music. I had suspected that their music would be better appreciated live, but I was not expecting to get my socks blown the f*#k off.  When describing the band to my plus one prior to the concert, I said, “It’s weird, they are primarily instrumental but it always sounds like someone or something is singing…I think you will dig it.”

The tiny, smoked out venue was more crowded than I had expected, and we found out later through Steve’s announcement that this was the band’s first sold out show – though I highly doubt it will be their last.  Delicate Steve is one of the most in-sync bands that I’ve ever seen…they play not only with each other, but off each other rather intuitively.  They were rowdy yet patient, playful yet focused and the lighting worked perfectly with the music.  There were a lot of eyes closed during this show, because it’s the kind of music you can feel without needing to look.  Their set seamlessly flowed, there was never a dull moment and the crowd was hooked.  Basically, Delicate Steve killed it.

There was a moment during their encore when they all just stopped playing mid song and froze for what had to be a good minute.  The crowd couldn’t handle it, people started begging and pleading for them to stop teasing – was a pretty cool energy to experience.

I must say, Delicate Steve is one of the best bands that I have seen live, and highly recommend checking them out if they pass through your town.

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Small Black – “Free At Dawn”

“Free At Dawn” is the first single from Small Black’s forthcoming album, ‘Limits Of Desire,’ which is due out on May 14th via Jagjaguwar.

Take A Listen: Free At Dawn from Small Black

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Ra Ra Riot @ Music Hall Of Williamsburg

On the day of their new album’s release (Beta Love), Ra Ra Riot, played for a sold out crowd at Music Hall of Williamsburg in Brooklyn. A show that was also taped for a live stream – if you missed it, you can still check it out here.

The band kicked off the set with “Too Too Too Fast” then followed it up with a much more mellow tune, “Shadow Casting,” after that, you could sense the crowd warming up, literally and figuratively. “Beta Love” and “Angel, Please” were two of the standout songs from their new material; they got the crowd bouncing. While the show moved along swiftly with a setlist that included songs such as, “Too Dramatic”, “Boy”, and “Ghost Under Rocks,” I would say one of the highlights came in the form of “Can You Tell.”

When the band ended their set, nobody even budged because it was obvious the show hadn’t concluded, come on, we all knew “Dying Is Fine” had to be played, and it was. The last song of the night was the apropos, “I Shut Off.”

Overall it was a fun night, Ra Ra Riot certainly seemed to please the crowd, and their music sounded great in a live setting. Also the opening band, Savoir Adore, definitely intrigued me enough to look them up after the show.  Ra Ra Riot is still on tour…I recommend checking them out if they’re in your hood.

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Frightened Rabbit @ Bowery Ballroom

Frightened Rabbit holds a very special place in my heart, well more specifically, ‘The Midnight Organ Fight.’ That album was the soundtrack to one of the most significant times in my life – magic/soul encompassing love, heartache, more love, gut wrenching agony – you know how that story goes. Basically, Scott Hutchinson is the ideal playmate for longing, misery, sadness, and whiskey hangovers…all the good stuff. I saw Frightened Rabbit a few years back, before ‘The Winter of Mixed Drink,’ which is a slightly more cheery set of songs than its predecessor. Going into this show, I expected to indulge in meaningful lyrics and attached memories with the sold out crowd in NYC – and check.

This show was definitely more lively and upbeat than anticipated. After opening the show with “The Modern Leper” Hutchinson confessed to the crowd (while holding up his pants) that he forgot to buy a belt, this is when a very nice crowd dweller offered up his own, and the lead singer took him up of the kind gesture. The show moved right along with a setlist that included some dance happy tunes like, “Old, Old Fashion”, “The Twist”, “Music Now” as well as a couple from their latest, “State Hospital” and “Boxing Night.” While it might be like a mother picking her favorite child (yes, it is exactly like this), the rendition of “My Backwards Walk” definitely resonated with me that particular evening, such a raw passing of emotion.

Then for the initial portion of the first encore Hutchinson took the stage alone, with his acoustic guitar and gave an expectedly depressing (but oh so lovely) performance of “Poke” and “Good Arms vs. Bad Arms.” But the crowd, chanting for more, obviously didn’t want to leave this moment behind…so Frightened Rabbit obliged and ended the evening with one last song, “Keep Yourself Warm” (“It Takes More Than Fucking Someone, To Keep Yourself Warm”…and goodnight).

Overall, this was a fantastic show, had just enough sadness and plenty of fun.

The band is still touring, and I highly recommend checking them out if they pass through your neck of the woods.

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The Great GoogaMooga @ Prospect Park

Published on May 22, 2012, by in Live Music/Concerts.

I arrived at GoogaMooga pretty early on Saturday to make sure I didn’t miss Fort Lean, a band I was looking forward to seeing. The crowd was pretty sparse, as Fort Lean was the first on the bill, but that didn’t stifle frontman Keenan Mitchell or the band’s energy. They played through their EP and latest 7″, and I heard people around me asking, “who is this band, they are really good” – agreed.

After Fort Lean’s set, the festival seemingly exploded with people and the entire place was like one big waiting line. The next band I saw was Unknown Mortal Orchestra. I was not too familiar with this band but their mostly instrumental, psychadelic music sounded pretty good live.

Directly after UMO’s set a few Air Guitar Champions hopped on stage to give a pretty entertaining performance. Then it was off to search for water, which was a challenge because the festival was nothing but converging lines, and after waiting about 40 minutes for water, it was all a bit too much and I cut my losses. But I can say, the music seemed to be handled rather well, the stages, the timing, the sound…plus the weather was amazing. And, I heard that Sunday was much more controlled and organized.

This was part of the note placed on The Great GoogaMooga website post festival: “And to those who had a frustrating experience on Saturday – we are sorry. We truly regret the first year glitches and really appreciate your patience as we worked to smooth them out. As with all our festivals, creating and providing an enjoyable experience for everyone is the driving force behind all that we do, and a responsibility we take very seriously. We couldn’t have done it without you and hope to see you all next year!”

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Four Tet @ Le Poisson Rouge

Four Tet has been a consistent resident of my headphones since I stumbled upon, “As Serious As Your Life,” a few years ago and I was beyond excited to finally hear his music live. On the other hand, I don’t really frequent shows that are driven by laptops, samplers and launchpads, so I wasn’t quite sure what to expect. It kind of felt like a first date.

Hebden (Four Tet) started his set off gradually, taking his time to fill the cloudy air with melodic tunes. It seemed like he wanted to lull the crowd before sending them into a tizzy – how considerate. After about ten minutes into his set he flipped a switch, probably literally, and there was not one person standing still. This was especially true when “Love Cry” and ‘Angel Echoes” came pounding out of the speakers mashed together…I thought I might see some heads explode. This moment and “Sing” were the standouts from an overall stellar, non-stop performance.

There was definitely a contagious energy pulsing through the audience, and it didn’t stop until about 3:30am (thank you daylight savings). Actually, if it were up to the audience Hebden would have played until dawn. When he powered down his machines and bid the crowd adieu, chants of more started ringing out, but the show was over.

My expectations were far surpassed, and I look forward to seeing Four Tet again.

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